I really disliked bouffant Brosnan, really liking Daniel Craig though, he's a man's Bond![]()
I really disliked bouffant Brosnan, really liking Daniel Craig though, he's a man's Bond![]()
Mrs. JR Ewing (07-24-2012)






My only concern with Daniel Craig is that possibly they are making his Bond too dark - otherwise fine.
Swami
Followed by For your Eyes Only (I remember going to see it at the pictures as a kid when we were on holiday in Morecambe). I'd also rate Moonraker above The Spy Who Loved Me.
Octopussy was Moore's least impressive outing as Bond IMO although it had a great signature tune.
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I meant critically obviously, fans have weird opinions
Brown for first course, white for pudding. Brown is savoury, white's the treat. Of course I'm the one who's laughing, because I actually love brown toast
in any case, as The Thick of It taught us, David Niven was the shittest James Bond
Brown for first course, white for pudding. Brown is savoury, white's the treat. Of course I'm the one who's laughing, because I actually love brown toast
I liked Dalton's bond..hated the films they put him in though.
when they cast Daniel Craig, they hd a great opportunity to take Bond back to the cold war era and they blew it.
you mean like actually taking the character back in time? that would have been awful
Bond was never really a Cold Warrior anyway. The SPECTRE films all implicitly revolved around the Cold War as a concept, but the point was they were a third party trying to initiate a nuclear war and Bond was only ever fighting it out with them. After those films, the villains are mostly megalomaniacs or drug dealers with few exceptions... only The Living Daylights, For Your Eyes Only and to a lesser degree Octopussy have the Soviets as antagonists and in a few of the Roger Moore movies it seems like the Soviets and the British are downright best friends forever. In a sense, the Craig era and it's focus on global terrorist networks is more of a return to the series roots (and more relevant) than pretending it was 1965 again forever.
Through 12 with the Dalton and Lazenby films still left to go:
1. Connery
2. Craig
3. Brosnan
4. Moore
Brown for first course, white for pudding. Brown is savoury, white's the treat. Of course I'm the one who's laughing, because I actually love brown toast

My number one was:
Sean Connery
Pierce Brosnan
Daniel Craig
Roger Moore
~ but the best bond-movie was GoldenEye!~


Sean Connory definately the best.
To be fair, he is good at quick cartoons and in directing solutions to pest control problems.
http://www.youtube.com/watch?v=TByBHtNyAtI
Garrison (07-26-2012)
Through 17! New rankings:
1. Connery
2. Craig
3. Brosnan
4. Dalton
5. Moore
still subject to change
Brown for first course, white for pudding. Brown is savoury, white's the treat. Of course I'm the one who's laughing, because I actually love brown toast
That reminds me...
http://commanderbond.net/4555/the-sa...ames-bond.html
"The Saint, Roger Moore, and James BondWritten by Paul Rowlands
“The Saint” TV series actually has many links to the Bond franchise. Apart from the long list of actors who appeared in both (listed below), it is fun to see Roger Moore play Simon Templar as the chain-smoking, heavy-drinking, tough as nails, womanising ex-criminal with quick wits and a good punch.
Add to that his propensity for dinner jackets, glamorous locations and confronting his enemies head on, and you have the ingredients for a great 007. Except when Moore played James Bond, he played the role a lot softer, with most of the hard edges removed. Moore has said he consciously played Bond differently to avoid repeating a role he played for over eight years. Watching“The Saint” affords one the opportunity to catch a glimpse of what Moore’s Bond might have been like if he hadn’t already been Simon Templar, and if he had taken the role more seriously.
Throughout the series are incidents that seem to predict Moore’s appointment in the role. In episode 2.5 ‘The Elusive Ellshaw’ (which also features Goldfinger’s Richard Vernon), characters go shooting a la Moonraker and Templar is on the receiving end of a kiss from the female lead for saving his life—‘That’s for saving my life.’ Templar replies ‘I should try to do it more often.’
A similar exchange occurs in Moonraker with Lois Chiles. ‘What was that for?’ ‘For saving my life.’ ‘Remind me to do it more often.’ Episode 2.19 ‘Luella’ is perhaps the single episode with the most Bondian references. David Hedison, who was later cast as Felix Leiter opposite Moore in Live and Let Die when it was thought Sean Connery might be persuaded to return, is a guest star, and would also co-star with his friend Moore in North Sea Hijack (US: Ffolkes) (1980) and The Naked Face (1984), as well as reprising the role of Leiter in Licence to Kill. A character in this episode (one of the most comedic of the series) convinces herself Templar is James Bond and that Hedison’s character is an American agent (which he would in Moore’s 1973 debut). Moore also poses as a millionaire UN worker—which he became many years later.
Other examples include episode 2.16 ‘The Wonderful War’ where Moore eats sheep’s eyeballs—something he wouldn’t do in Octopussy. Moore also wears desert attire many years before he would do so in The Spy Who Loved Me. In episode 3.21 ‘Sibao’, which also features Bruce Boa fromOctopussy, the voodoo theme recalls Live and Let Die and we have Moore wearing a safari suit a laOctopussy. Episode 2.1 ‘The Fellow Traveller’, Moore tells a character: ‘Seven was always my lucky number.’ And 4.1 ‘The Chequered Flag’ has Moore ordering a drink ‘neither shaken or stirred’. In the episode 2.17 ‘The Noble Sportsman’—an episode that originally aired eight months before the release of Goldfinger—Anthony Quayle’s Lord Yearley drives an Aston Martin DB5 registration number BMT 216A.†
The black and white series of “The Saint” debuted on UK TV on 4th October 1962 (the episode was ‘The Talented Husband’), and for those who believe Bond and Simon Templar have always had a close relationship, it may be interesting to learn that Dr. No premiered in the UK at The London Pavilion the following night. According to ‘Cubby’ Broccoli, Roger Moore was one of Ian Fleming’s top choices for the role of Bond in Dr. No, but it isn’t clear why he was not approached.
In his autobiography When the Snow Melts, Broccoli recalls that Fleming had seen him on TV as “The Saint”, but it’s UK transmission date would have made it impossible. It is more likely that Fleming had seen him in the many TV series he had acted in before Simon Templar. His commitment to “The Saint” during the ’60s meant he was unable to accept the role of Bond once Sean Connery had left—but Harry Saltzman had spoken to him about filming The Man with the Golden Gun in Cambodia after You Only Live Twice, and it is rumoured he was considered for the 1967 Casino Royale spoof. “The Saint” black and white series ended on 26th August 1965 (with ‘The Old Treasure Story’, which Moore also directed), and covered 71 episodes. Season 1 consisted of only 12 episodes; Season 2 of 27 episodes; Season 3 of 23 episodes, and Season 4 of merely 9 episodes. The next two seasons were filmed in colour. The series was so popular in US TV syndication that NBC picked it up as a summer replacement for it’s evening schedule in 1966. The whole series played on UK TV for 6 and a half years, and 118 episodes were produced in total. It remains one of the most-loved and longest-running TV series ever made.
In the recently recorded commentaries for the Ultimate Edition DVD releases of his Bond films, Moore revealed that he would suggest his previous colleagues and friends for roles in the films. From his 12 year reign in the role, series regulars Robert Brown, Lois Maxwell (in two colour episodes), Walter Gotell and Geoffrey Keen appeared in episodes, as well as other actors as Irvin Allen, Bruce Boa, Julian Glover, Jack Hedley, Marne Maitland, Bryan Marshall, Shane Rimmer and Douglas Wilmer. Notable actors from non-Moore entries include Shirley Eaton, Honor Blackman, Paul Stasino, Eric Pohlmann and Anthony Dawson."
That reminds me...
http://commanderbond.net/4555/the-sa...ames-bond.html
"The Saint, Roger Moore, and James Bond
Written by Paul Rowlands
“The Saint” TV series actually has many links to the Bond franchise. Apart from the long list of actors who appeared in both (listed below), it is fun to see Roger Moore play Simon Templar as the chain-smoking, heavy-drinking, tough as nails, womanising ex-criminal with quick wits and a good punch.
Add to that his propensity for dinner jackets, glamorous locations and confronting his enemies head on, and you have the ingredients for a great 007. Except when Moore played James Bond, he played the role a lot softer, with most of the hard edges removed. Moore has said he consciously played Bond differently to avoid repeating a role he played for over eight years. Watching“The Saint” affords one the opportunity to catch a glimpse of what Moore’s Bond might have been like if he hadn’t already been Simon Templar, and if he had taken the role more seriously.
Throughout the series are incidents that seem to predict Moore’s appointment in the role. In episode 2.5 ‘The Elusive Ellshaw’ (which also features Goldfinger’s Richard Vernon), characters go shooting a la Moonraker and Templar is on the receiving end of a kiss from the female lead for saving his life—‘That’s for saving my life.’ Templar replies ‘I should try to do it more often.’
A similar exchange occurs in Moonraker with Lois Chiles. ‘What was that for?’ ‘For saving my life.’ ‘Remind me to do it more often.’ Episode 2.19 ‘Luella’ is perhaps the single episode with the most Bondian references. David Hedison, who was later cast as Felix Leiter opposite Moore in Live and Let Die when it was thought Sean Connery might be persuaded to return, is a guest star, and would also co-star with his friend Moore in North Sea Hijack (US: Ffolkes) (1980) and The Naked Face (1984), as well as reprising the role of Leiter in Licence to Kill. A character in this episode (one of the most comedic of the series) convinces herself Templar is James Bond and that Hedison’s character is an American agent (which he would in Moore’s 1973 debut). Moore also poses as a millionaire UN worker—which he became many years later.
Other examples include episode 2.16 ‘The Wonderful War’ where Moore eats sheep’s eyeballs—something he wouldn’t do in Octopussy. Moore also wears desert attire many years before he would do so in The Spy Who Loved Me. In episode 3.21 ‘Sibao’, which also features Bruce Boa fromOctopussy, the voodoo theme recalls Live and Let Die and we have Moore wearing a safari suit a laOctopussy. Episode 2.1 ‘The Fellow Traveller’, Moore tells a character: ‘Seven was always my lucky number.’ And 4.1 ‘The Chequered Flag’ has Moore ordering a drink ‘neither shaken or stirred’. In the episode 2.17 ‘The Noble Sportsman’—an episode that originally aired eight months before the release of Goldfinger—Anthony Quayle’s Lord Yearley drives an Aston Martin DB5 registration number BMT 216A.†
The black and white series of “The Saint” debuted on UK TV on 4th October 1962 (the episode was ‘The Talented Husband’), and for those who believe Bond and Simon Templar have always had a close relationship, it may be interesting to learn that Dr. No premiered in the UK at The London Pavilion the following night. According to ‘Cubby’ Broccoli, Roger Moore was one of Ian Fleming’s top choices for the role of Bond in Dr. No, but it isn’t clear why he was not approached.
In his autobiography When the Snow Melts, Broccoli recalls that Fleming had seen him on TV as “The Saint”, but it’s UK transmission date would have made it impossible. It is more likely that Fleming had seen him in the many TV series he had acted in before Simon Templar. His commitment to “The Saint” during the ’60s meant he was unable to accept the role of Bond once Sean Connery had left—but Harry Saltzman had spoken to him about filming The Man with the Golden Gun in Cambodia after You Only Live Twice, and it is rumoured he was considered for the 1967 Casino Royale spoof. “The Saint” black and white series ended on 26th August 1965 (with ‘The Old Treasure Story’, which Moore also directed), and covered 71 episodes. Season 1 consisted of only 12 episodes; Season 2 of 27 episodes; Season 3 of 23 episodes, and Season 4 of merely 9 episodes. The next two seasons were filmed in colour. The series was so popular in US TV syndication that NBC picked it up as a summer replacement for it’s evening schedule in 1966. The whole series played on UK TV for 6 and a half years, and 118 episodes were produced in total. It remains one of the most-loved and longest-running TV series ever made.
In the recently recorded commentaries for the Ultimate Edition DVD releases of his Bond films, Moore revealed that he would suggest his previous colleagues and friends for roles in the films. From his 12 year reign in the role, series regulars Robert Brown, Lois Maxwell (in two colour episodes), Walter Gotell and Geoffrey Keen appeared in episodes, as well as other actors as Irvin Allen, Bruce Boa, Julian Glover, Jack Hedley, Marne Maitland, Bryan Marshall, Shane Rimmer and Douglas Wilmer. Notable actors from non-Moore entries include Shirley Eaton, Honor Blackman, Paul Stasino, Eric Pohlmann and Anthony Dawson."
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